The Antiquity and the Renaissance in Heitor Pinto

Autores

  • António dos Santos Pereira University Beira Interior; CHAM, School of Social and Human Sciences, FCSH, NOVA University of Lisbon, 1069-061 Lisbon

DOI:

https://doi.org/10.34619/lnkg-6kic

Palavras-chave:

History of the book, Dialogue, Dialectic, Life and death

Resumo

The whole classical heritage shows up in Imagem da Vida Cristã. A first look reveals that Heitor Pinto has read all the classical authors directly, but he has also, in fact, used the best handbooks (those elaborated in Antiquity, as well as those elaborated in the Renaissance) to further his knowledge on the themes of Humanism and Christian theology. At the same time, he read the most relevant propositions in a dialectical way: knowledge of himself and of external reality; life and death; man and God. A philosopher and theologian, he seems however to have cultivated a true passion for History, Geography, and Nature in general. In the texts, all things have an inherent symbolism, and every text uses many sources on different areas of knowledge, such as mythology, numerology, the Bible, art, geography, and so on, in order to discover the truth.

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Publicado

2012-01-01

Como Citar

Pereira, A. dos S. (2012). The Antiquity and the Renaissance in Heitor Pinto. RES Antiquitatis, 3, 71–99. https://doi.org/10.34619/lnkg-6kic

Edição

Secção

Thematic Dossier | Articles