Abstract
This work presents some partial reflections on a post-doctoral project aiming to study epigraphy from Egyptian collections in Portugal. A quick view of some catalogues and expositions combined help us to picture how museographic strategies in use in Portugal portrait Egypt to the non-academic public. As the main focus of this work lies in epigraphy, an especial approach to selected objects will be also part of the debate.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2019 Ronaldo Gurgel Pereira
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