Abstract
Reclaiming of the body in contemporary theater is linked to the nostalgia of the lost sacred, to a call to restore rituals. The European vanguard movements reveal a growing interest in the East and the consequent return of theatrical traditions that go back to Antiquity. In this study I will focus on contemporary creations that recover techniques from masks and puppets as a source of work for the scenic corporality, in some of Ariane Mnouchkine creations.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2020 Catarina Firmo
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