No. 50 (2019): Dramaturgies of Exile, Dramaturgies of Resistance

Cláudia Madeira and Fernando Matos Oliveira (Eds.)

Published: 2019-07-19

Articles

• Moving stories < > Moving borders

  António Figueiredo Marques

  1-22

  • PDF (Português (Portugal))

• Portugal: a chapter in Augusto Boal’s exiles

  Daniela Lemes

  23-43

  • PDF (Português (Portugal))

• “(De)parting, where will this note lead me?”: otherness and contemporary performance

  Vitor Lemos

  44-59

  • PDF (Português (Portugal))

• Words in exile during the Estado Novo. Bernardo Santareno in Cuba

  Susana Moura

  60-80

  • PDF (Português (Portugal))

• Freedom, censorship and the instrumentalization of art: a view of the FIARI Manifesto in the light of the theatrical work of Bertolt Brecht

  Mariana Mayor

  81-94

  • PDF (Português (Portugal))

• Weiss and Géricault: History as part of active memory to serve the future

  Manuel Silva Pereira

  95-110

  • PDF (Português (Portugal))

• The reception of Peter Weiss’ s drama Gesang vom Lusitanischen Popanz. Before and after the Revolution of 1974

  Maria Manuela Delille

  111-126

  • PDF (Português (Portugal))

• Der Lusitanische Popanz. Portuguese colonialism in a german drama

  Peter Hanenberg

  127-142

  • PDF (Português (Portugal))

• Song of the Lusitanian Bogeyman, a play by Peter Weiss also called Puppet or Straw man … - Reenactments in Portugal 1971/1974/2017

  Cláudia Madeira, Carlos Pessoa, Manuel Silva Pereira

  143-160

  • PDF (Português (Portugal))

• Performance as a counter-monumentalization movement: A look upon the project Demythologise Work that History and Put it to Rest

  António Pedro Ramos Mendes

  161-169

  • PDF (Português (Portugal))

• The Monster Woman. A reflection on the plot

  Marissel Marques

  170-183

  • PDF (Português (Portugal))

Book reviews

• Galileo Galilei. Das Theater und die Pest: a encenação de Frank Castorf na temporada 2019 do Berliner Ensemble

  Claudio Castro-Filho

  188-191

  • PDF (Português (Portugal))

• Performing Memory: Amores Pós-Coloniais [Post-colonial Love] by Hotel Europa

  Francesca Rayner

  184-187

  • PDF

• Teatro de um Homem (L)ido: Metaficção Crítica e Teatral 1954-2005, Lisboa, Dom Quixote/ SPA, 2006, de Ernesto de Melo e Castro

  Cláudia Madeira

  192-199

  • PDF (Português (Portugal))

• Wie Frei ist die Kunst? Der neue Kulturkampf und die Krise des Liberalismus, Berlin, Suhrkamp, 2018, de Hanno Rauterberg

  Fernando Matos Oliveira

  200-205

  • PDF (Português (Portugal))

• Documentos del presente – Una mirada semiótica; Madrid, Lengua de Trapo, 2019, de Jorge Lozano e Miguel Martín (coord.)

  Maria Augusta Babo

  206-210

  • PDF (Português (Portugal))

• Theatre and Dictatorship in the Luso-Hispanic World, London and New York: Routledge, 2017, by Diego Santos Sánchez

  Claudio Castro-Filho

  211-215

  • PDF (Português (Portugal))