We are always the posthumous life of others: a map for a pro-memory

Authors

DOI:

https://doi.org/10.34619/blta-jx41

Keywords:

pro-memory, blind spot, projection, fiction, archive

Abstract

This issue proposes the concept of ‘pro-memory’ as a variation of ‘post-memory’, shifting the focus from the relationship with the past to the impact of projection - of the self, of space and of the present — on the constitution of memory. Instead of recovering indirect experiences, pro-memory describes the movement of trying to deal with the gaps, silences and absences of the archive and memory, opening up space for narratives that were previously invisible. The idea of ‘over-memory’, understood as addition or excess, collaborates with this notion and reinforces the way in which other people's memories interfere in the construction of our own. By inaugurating the concept of pro-memory and exploring the tools it calls upon, this dossier proposes a critical debate on new ways of narrating, remembering and reinscribing the past in the present, in the belief that innovative methodologies and practices can emerge from this endeavour to investigate and work with memory and the archive and their blind spots.

Author Biographies

Catarina Laranjeiro, Instituto de História Contemporânea. Faculdade de Ciências Sociais e Humanas, Universidade NOVA de Lisboa

Catarina Laranjeiro is a researcher at the Institute of Contemporary History at NOVA FCSH, where she coordinates the project FILMASPORA — Towards a New Cine-Geography of the Lisbon Metropolitan Area and develops the project African Modes of Self-Filming, on vernacular cinema in Guinea-Bissau, Cape Verde and their diasporas. Her research and artistic practice cross anthropology, cinema and visual arts, with a focus on popular cinema, political memory and decolonization of the gaze.

Inês Sapeta Dias, Instituto de História Contemporânea. Faculdade de Ciências Sociais e Humanas, Universidade NOVA de Lisboa

Inês Sapeta Dias works in between research, filmmaking and film programming. She has a PhD on Communication Sciences with a thesis on cinema programming. Recently, at Arquivo Municipal de Lisboa, she has been responsible for launching projects such as: TRAÇA [moth] — a Home Movie show case, Topografias Imaginárias [Imaginaries Topographies] or What is the Archive?. Nowadays she integrates Cinemateca Portuguesa’s programming team. Among the most recently books she has edited are: What
is the Archive? and I didn’t even know Marvila existed and A map of Lisbon in cinema. In 2008 she has finished her first film Winter’s portrait of a burnt landscape. Currently, she is co-directing a TV series of 13 episodes Atlas of an amateur cinema and she is finishing the film The house is the ruin of a house. Since 2019 she teaches at a Lisbon’s independent art school — Ar.Co — where she is responsible for the workshop on documentary cinema.

Published

2025-07-11

How to Cite

Laranjeiro, C., & Sapeta Dias, I. (2025). We are always the posthumous life of others: a map for a pro-memory. Revista De Comunicação E Linguagens, (62), 7–23. https://doi.org/10.34619/blta-jx41