No. 58 (2023): Digital Narratives — Theories, Criticism(s), Achievements

Rui Torres, Jill Walker Rettberg, Scott Rettberg, Joseph Tabbi (Eds.)
DOI: https://doi.org/10.34619/prbo-xb07

Published: 2023-09-01

Full Issue

• Digital Narratives — Theories, Criticism(s), Achievements

  Rui Torres , Jill Walker Rettberg , Scott Rettberg , Joseph Tabbi

  150

  • PDF (Português (Portugal))

Editorial Introduction

• Digital Narratives — Theories, Criticism(s), Achievements: Introduction

  Rui Torres, Jill Walker Rettberg, Scott Rettberg, Joseph Tabbi

  7-11/ 8-16

  • PDF
  • PDF (Português (Portugal))

Articles

• Unfolding Community in Electronic Literature

  Hannah Ackermans

  18-36

  • PDF

• MOIRA (Re)creating Heritage through Digital Literature

  Diogo Marques, Ana Gago

  37-60

  • PDF (Português (Portugal))

• An Enactive Approach to the Construction of Meaning in Interactive Digital Narratives

  Ana Catarina Monteiro, Miguel Carvalhais

  61-78

  • PDF

• Beyond Maximalism Resolving the Novelistic Incompatibilities of Realism, Paranoia, Omniscience, and Encyclopedism through Electronic Literature

  David Thomas Henry Wright, Chris Arnold

  79-96

  • PDF

• Computational Models for Understanding Narrative

  Nick Montfort, Rafael Pérez y Pérez

  97-117

  • PDF

• A Portrait of the Artist as an Emergent Technology

  Davin Heckman

  118-140

  • PDF

Book reviews

• The New Media Writing Prize 2022 Winners: “Anonymous Animal”, “Future is Uncertain, Memory is Real”, and “Penrose Station”

  Tegan Pyke

  142-149

  • PDF