Sagrado Profano: Imagens eróticas em manuscritos medievais de cariz religioso

Resumo

Referências bibliográficas

Fontes

Fontes manuscritas

Londres, The British Library, Add MS 36684.

Londres, The British Library, Add MS 42130.

Londres, The British Library, Add MS 49622.

Londres, The British Library, Stowe MS 17.

Oxford, Bodleian Library, MS Douce 6.

Fontes impressas

AQUINO, São Tomás – Summa Theologica. Londres: Catholic Way Publishing, 2014.

Bíblia Sagrada. Lisboa: Difusora Bíblica, 2018.

Estudos

BARROW, Robyn – “Stowe MS 17: Text, Image, and the Ramifications of Female Viewership in a Gothic Illuminated Book of Hours”. Immediations [Em Linha] 4:2 (2017) [Consultado a 9 junho 2023]. Disponível em https://courtauld.ac.uk/research/research-resources/publications/immeditations-postgraduate-journal/immediations-online/2017-2/robyn-barrow-stowe-ms-17-text-image-and-the-ramifications-of-female-viewership-in-a-gothic-illuminated-book-of-hours/.

BATAILLE, Georges – Erotism: Death and Sensuality. São Francisco: First City Lights Books, 1986.

BELL, Susan Groag – “Medieval Women Book Owners: Arbiters of Lay Piety and Ambassadors of Culture”. Signs: Journal of Women in Culture and Society 7:4 (1982), pp. 742–768.

BENNETT, Adelaide – “Making Literate Lay Women Visible: Text and Image in French and Flemish Books of Hours, 1220-1320”. In GERTSMAN, Elina; STEVENSON, Jill (eds.) – Thresholds of Medieval Visual Culture: Liminal Spaces. Woodbridge: Boydell Press, 2012, pp. 125-158.

BROWN, Michelle P. – The World of the Luttrell Psalter. Londres: The British Library, 2006.

CAMILLE, Michael – Image on the Edge: The Margins of Medieval Art. Londres: Reaktion Books Limited, 1992.

CAMILLE, Michael – “Play, Piety and Perversity in Medieval Marginal Manuscript Illumination”. In KRÖLL, Katrin; STEGER, Hugo (ed.) – Mein ganzer Körper ist Gesicht: Groteske Darstellungen in der europäischen Kunst und Literatur des Mittelalters. Freiburg: Rombach Verlag, 1994, pp. 171-192.

CAMILLE, Michael – The Medieval Art of Love. Londres: Laurence King Publishing, 1998.

CAMILLE, Michael – Mirror in parchment: the Luttrell Psalter and the making of medieval England. Chicago: University of Chicago Press, 1998.

CAMILLE, Michael – “‘For Our Devotion and Pleasure’: The sexual objects of Jean, Duke of Berry”. Art History 2:24 (2001), pp. 169-194.

CARRUTHERS, Mary J. – The book of memory: a study of memory in medieval culture. Cambridge: Cambridge University Press, 1996.

DE LA CROIX, Arnaud – O Erotismo na Idade Média: o corpo, o desejo, o amor. Mem-Martins: Publicações Europa-América, 2004.

GERSON, Paula – “Margins for Eros”. In Romance Languages Annual. Vol. V. West: Purdue University, 1993, pp. 47-53.

GRIECO, Sara F. Matthews (ed.) – Erotic Cultures of Renaissance Italy. Nova Iorque: Ashgate Publishing, 2010.

MARGOT, McIlwain Nishimura – The Gorleston Psalter: A study of the marginal in the visual culture of fourteenth-century England. Nova Iorque: New York University, Institute of Fine Arts, 1999.

MARKS, R.; MORGAN, N.J. – The Golden Age of English Manuscript Painting, 1200-1500. Nova Iorque: George Braziller, 1981.

MARROW, James H. – “Art and Experience in Dutch Manuscript Illumination around 1400: Transcending the Boundaries”. Journal of the Walters Art Gallery 54 (1996), pp. 101-117.

MCLLWAIN NISHIMURA, M. – Important illuminated manuscripts. Akron; Paris:  Ferrini; Enluminures, 2000.

Medieval mastery: book illumination from Charlemagne to Charles the Bold, 800–1475. Turnhout: Brepols, 2002.

MEUWESE, M. L. – “Jacob van Maerlant’s Spiegel Historiael: iconography and workshop”. In SMEYERS, M.; CARDON, B. (ed.) – Flanders in a European perspective: manuscript illumination around 1400 in Flanders and abroad. Proceedings of the International Colloquium, Leuven, 7–10 September 1993. Leuven: Peeters, 1995, pp. 445–456.

NUSSBAUM, Martha – “The Speech of Alcibiades”. In SOLOMON, Robert C.; HIGGINS, Kathleen M. (ed.) – The Philosophy of (Erotic) Love. Kansas: University of Kansas Press, 1991, pp. 279-316.

PINSON, Y. – “Devil and God, filth and purity in Pucelle’s Hours of Jeanne d’Evreux (ca. 1325– 1328)”. In DEKEYZER, B.; STOCK, J. Van der (ed.) – Manuscripts in transition: recycling manuscripts, texts and images. Proceedings of the international congres [sic] held in Brussels. 5-9 novembro de 2022. Paris: Peeters, 2005, pp. 159–171.

RANDALL, L. M. C., et al. – Medieval and Renaissance manuscripts in the Walters Art Gallery. Vol. 3: Belgium, 1250–1530, 2 parts. Baltimore; Londres: Johns Hopkins University Press in association with the Walters Art Gallery, 1997.

RUGGIERO, Guido – “Introduction: hunting for birds in the Italian Renaissance”. In GRIECO, Sara F. Matthews (ed.) – Erotic Cultures of Renaissance Italy. Nova Iorque: Ashgate Publishing, 2010, pp. 1-16.

SANDLER, Lucy Freeman – Gothic Manuscripts 1285-1385. Londres: Harvey Miller, 1986.

SANDLER, Lucy Freeman – “The Word in the Text and the Image in the Margin: The Case of the Luttrell Psalter”. Journal of the Walters Art Gallery 54, 98:7 (1996), pp. 87-99.

SANDLER, Lucy Freeman – ‘The study of marginal imagery: past, present, and future”. Studies in Iconography 18 (1997), pp. 1–49.

WIECK, Roger S. – Painted Prayers: The Book of Hours in Medieval and Renaissance Art. Nova Iorque: George Braziller, 1997.

WIECK, Roger S. – Time Sanctified: The Book of Hours in Medieval Art and Life. Nova Iorque/Baltimore: George Braziller, Inc. in association with The Walters Art Museum, 2001.